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Legend: π Conferences π Journals π Workshops π Books & Chapters
π Tomczak et al.β Tomczak, M., Li, M.S., Bradbury, A., Elliott, M., Stables, R., Witek, M., Goodman, T., Abdlkarim, D., Di Luca, M., Wing, A. and Hockman, J., 2022. Annotation of soft onsets in string ensemble recordings. arXiv preprint arXiv:2211.08848 (submitted to the Journal of New Music Research).
Click to access and copy BibTeX entry. @article{tomczak2022annotation, title={Annotation of Soft Onsets in String Ensemble Recordings}, author={Tomczak, Maciej and Li, Min Susan and Bradbury, Adrian and Elliott, Mark and Stables, Ryan and Witek, Maria and Goodman, Tom and Abdlkarim, Diar and Di Luca, Massimiliano and Wing, Alan and Hockman, Jason}, journal={arXiv preprint arXiv:2211.08848}, year={2022} } Copy π Cheshire et al.β Cheshire, M., Drysdale, J., Enderby, S., Tomczak, M. and Hockman, J., 2022. Deep Audio Effects for Snare Drum Recording Transformations. Journal of the Audio Engineering Society.
Click to access and copy BibTeX entry. @article{cheshire2022deep, title={Deep Audio Effects for Snare Drum Recording Transformations}, author={Cheshire, Matthew and Drysdale, Jake and Enderby, Sean and Tomczak, Maciej and Hockman, Jason}, journal={Journal of the Audio Engineering Society}, volume={70}, number={9}, pages={742--752}, year={2022}, publisher={Audio Engineering Society} } Copy π Karpodiniβ Karpodini, C., 2022, October. Evaluating haptic technology in accessibility of digital audio workstations for visual impaired creatives. In Proceedings of the 24th International ACM SIGACCESS Conference on Computers and Accessibility, Athens, Greece.
Click to access and copy BibTeX entry. @inproceedings{karpodini2022evaluating, title={Evaluating haptic technology in accessibility of digital audio workstations for visual impaired creatives.}, author={Karpodini, Christina}, booktitle={The 24th International ACM SIGACCESS Conference on Computers and Accessibility}, pages={1--5}, year={2022} } Copy π Drysdale et al.β Drysdale, J., A. Ramires, X. Serra and J. Hockman. 2022. Improved automatic instrumentation role classification and loop activation transcription. In Proceedings of the 25th International Conference on Digital Audio Effects, Vienna, Austria.
π Wing et al.β Click to access and copy BibTeX entry. @inproceedings{wing2022ensemble, title={Ensemble Timing in String Quartets}, author={Wing, Alan and Witek, Maria and Stables, Ryan and Adrian, Bradbury}, booktitle={Music and Time: Psychology, Philosophy \& Practice}, year={2022} } Copy Wing, A., M. Witek and R. Stables and A. Bradbury. 2022. Ensemble Timing in String Quartets. Book Chapter in Music and Time: Psychology, Philosophy & Practice.
π Drysdale et al.β Click to access and copy BibTeX entry. @inproceedings{drysdale2021style, title={Style-based drum synthesis with GAN inversion}, author={Drysdale, Jake and Tomczak, Maciej and Hockman, Jason}, booktitle={Extended Abstracts for the Late-Breaking Demo Session of the 22nd Int. Society for Music Information Retrieval Conference}, year={2021} } Copy Drysdale, J., M. Tomczak and J. Hockman. 2021. Style-based drum synthesis with GAN inversion. In Proceedings of the International Society of Music Information Retrieval Conference.
π Drysdale et al.β Click to access and copy BibTeX entry. @inproceedings{drysdale2020adversarial, title={Adversarial Synthesis of Drum Sounds}, author={Drysdale, Jake and Tomczak, Maciek and Hockman, Jason}, booktitle={Proceedings of the International Conference on Digital Audio Effects (DAFx)}, year={2020} } Copy Drysdale, J. and Tomczak, M. and J. Hockman. 2020. Adversarial synthesis of drum sounds. In Proceedings of the 23nd International Conference on Digital Audio Effects, Vienna, Austria.
π Tomczak et al.β Click to access and copy BibTeX entry. @inproceedings{tomczak2020drum, title={Drum Synthesis and Rhythmic Transformation with Adversarial Autoencoders}, author={Tomczak, Maciek and Goto, Masataka and Hockman, Jason}, booktitle={Proceedings of the 28th ACM International Conference on Multimedia}, pages={2427--2435}, year={2020} } Copy Tomczak, M., M. Goto and J. Hockman. 2020. Drum synthesis and rhythmic transformation using adversarial autoencoders. In Proceedings of the 28th ACM Multimedia Conference, Seattle, Washington.
π Cheshire et al.β Click to access and copy BibTeX entry. @inproceedings{cheshire2020investigating, title={Investigating timbral differences of varied velocity snare drum strikes}, author={Cheshire, Matthew and Stables, Ryan and Hockman, Jason}, booktitle={Audio Engineering Society Convention 148}, year={2020}, organization={Audio Engineering Society} } Copy Cheshire, M., R. Stables and J. Hockman. 2020. Investigating timbral differences of varied velocity snare drum strikes. In Proceedings of the 147th Convention of the Audio Engineering Society, New York City, New York, USA.
π Kew et al.β Click to access and copy BibTeX entry. @inproceedings{kew2020sonification, title={Sonification of Spectroscopic analysis of food data using FM Synthesis}, author={Kew, Hsein and Stables, Ryan}, booktitle={Audio Engineering Society Convention 149}, year={2020}, organization={Audio Engineering Society} } Copy Kew, H. and Stables, R., 2020, October. Sonification of Spectroscopic analysis of food data using FM Synthesis. In Audio Engineering Society Convention 149. Audio Engineering Society.
π Kew et al.β Click to access and copy BibTeX entry. @inproceedings{kew2020sonification, title={A Sonification Algorithm for Subjective Classification of Food Samples}, author={Kew, Hsein and Stables, Ryan}, booktitle={Audio Engineering Society Convention 149}, year={2020}, organization={Audio Engineering Society} } Copy Kew, H. and Stables, R., 2020, October. A Sonification Algorithm for Subjective Classification of Food Samples. In Audio Engineering Society Convention 149. Audio Engineering Society.
π Tomczak et al.β Tomczak, M., J. Drysdale and J. Hockman. 2019. Drum translation for timbral and rhythmic transformation. In Proceedings of the 22nd International Conference on Digital Audio Effects, Birmingham, UK.
π Southall et al.β Southall, C., R. Stables and J. Hockman. 2019. Trainable data manipulation with unobserved instruments. In Proceedings of the 5th Workshop on Intelligent Music Production, Birmingham, UK.
π Cheshire et al.β Cheshire, M., R. Stables and J. Hockman. 2019. Microphone comparison: Spectral feature mapping for snare drum recording. In Proceedings of the 147th Convention of the Audio Engineering Society, New York City, New York, USA.
π De Man et al.β De Man, B., J. D. Reiss and R. Stables. 2019. Intelligent Music Production. Routledge.
π Stables et al.β Stables, R., Hockman, J., VΓ€limΓ€ki, V. and Fontana, F., 2020. 22nd International Conference on Digital Audio Effects DAFx 2019 (2β6 September 2019, Birmingham, United Kingdom).
π Wu et al.β Wu, C.-W., C. Dittmar, C. Southall, R. Vogl, G. Widmer, J. Hockman, M. MΓΌller and A. Lerch. 2018. A review of automatic drum transcription. IEEE/ACM Transactions on Audio Speech and Language Processing. Volume 26, Issue 9, p. 1457β1483.
π Cheshire et al.β Cheshire, M., J. Hockman and R. Stables. 2018. Microphone comparison for snare drum recording. In Proceedings of the 145th Convention of the Audio Engineering Society, New York City, New York, USA.
π Tomczak et al.β Tomczak, M., C. Southall and J. Hockman. 2018. Audio style transfer with rhythmic constraints. In Proceedings of the 21st International on Digital Audio Effects, Porto, Portugal. π Code π»
π Southall et al.β Southall, C., R. Stables and J. Hockman. 2018. Improving peak picking using multiple time-step loss functions. In Proceedings of the International Society of Music Information Retrieval Conference, Paris, France.
π Southall et al.β Southall, C., R. Stables and J. Hockman. 2018. Player vs Transcriber: A Game approach to automatic music transcription. In Proceedings of the International Society of Music Information Retrieval Conference, Paris, France.
π Wang et al.β Wang, X., Stables, R., Li, B. and Duan, Z., 2018, April. Score-Aligned Polyphonic Microtiming Estimation. In 2018 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP) (pp. 361-365). IEEE.
π De Man et al.β De Man, B., Jillings, N. and Stables, R., 2018. Comparing stage metaphor interfaces as a controller for stereo position and level. In 4th Workshop on Intelligent Music Production.
π Jillings et al.β Jillings, N., De Man, B., Stables, R. and Reiss, J.D., 2018, October. Investigation into the effects of subjective test interface choice on the validity of results. In Audio Engineering Society Convention 145. Audio Engineering Society.
π Ali-MacLachlan et al.β Ali-MacLachlan, I., M. Tomczak, C. Southall and J. Hockman. 2018. Player recognition for traditional Irish flute recordings. In Proceedings of the 8th International Workshop on Folk Music Analysis, Birmingham, UK.
π Hockman et al.β Hockman, J. and J. Thibodeau. 2018. Games Without Frontiers: Audio Games for Music Production and Performance. Book Chapter in: Aramaki M., Davies M., Kronland-Martinet R., Ystad S. (editors): Music Technology with Swing. Lecture Notes in Computer Science, vol. 11265, Springer-Verlag.
π Southall et al.β Southall, C., C.-W. Wu, A. Lerch and J. Hockman. 2017. MDB Drums: An annotated subset of MedleyDB for automatic drum transcription. In Proceedings of the International Society for Music Information Retrieval Conference, Suzhou, China. π Code π»
π Southall et al.β Southall, C., N. Jillings, R. Stables and J. Hockman. 2017. ADTWeb: An open-source browser based automatic drum transcription system. In Proceedings of the International Society for Music Information Retrieval Conference, Suzhou, China. π Web Demo π»
π Southall et al.β Southall, C., R. Stables and J. Hockman. 2017. Automatic drum transcription for polyphonic recordings using soft attention mechanisms and convolutional neural networks. In Proceedings of the18th International Society of Music Information Retrieval Conference, Suzhou, China. π Code π»
π Hockman et al.β Hockman, J. and J. Thibodeau. 2017. Games without frontiers: Audio games for music production and performance. In Proceedings of the 13th International Symposium on Computer Music Multidisciplinary Research, Matosinhos, Portugal.
π Ali-MacLachlan et al.β Ali-MacLachlan, I., M. Tomczak, C. Southall and J. Hockman. 2017. Improved onset detection for traditional flute recordings using convolutional neural networks. The 7th International Workshop on Folk Music Analysis, MΓ‘laga, Spain.
π Stasis et al.β Stasis, S., J. Hockman and R. Stables. 2017. Navigating descriptive sub-representations of musical timbre. In Proceedings of the Conference for New Interfaces for Musical Expression, Copenhagen, Denmark.
π Jillings et al.β Jillings, N. and Stables, R., 2017. Automatic Channel Routing Using Musical Instrument Linked Data. In 3rd Workshop on Intelligent Music Production (WIMP 2017), 2017, Manchester, UK.
π Jillings et al.β Jillings, N. and R., Stables. 2017. An Intelligent audio workstation in the browser. An Intelligent Audio Workstation in the Browser. In: 2nd Web Audio Conference (WAC 2017), August, 2017, London, United Kingdom.
π Jillings et al.β Jillings, N., Reiss, J.D. and Stables, R., 2017, October. Zero-Delay large signal convolution using multiple processor architectures. In 2017 IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA) (pp. 339-343). IEEE.
π Jillings et al.β Jillings, N. and Stables, R., 2017, June. Investigating music production using a semantically powered digital audio workstation in the browser. In Audio Engineering Society Conference: 2017 AES International Conference on Semantic Audio. Audio Engineering Society.
π Enderby et al.β Enderby, S. and Stables, R., 2017. A nonlinear method for manipulating warmth and brightness. In Proceedings of the 20th International Conference on Digital Audio Effects, Edinburgh, UK.
π De Man et al.β De Man, B., Reiss, J. and Stables, R., 2017. Ten years of automatic mixing.
π Jillings et al.β Jillings, N. and Stables, R., 2017. An Intelligent Audio Plugin Framework for the Web Audio API. In Web Audio Conference WAC-2017, August 21β23, 2017, London, UK.
π Jillings et al.β Jillings, N. and R., Stables. 2017. Automatic masking reduction in balance mixes using evolutionary computing. In Audio Engineering Society Convention 143. Audio Engineering Society.
π Stasis et al.β Stasis, S., Jillings, N., Enderby, S. and Stables, R., 2017. Audio Processing Chain Recommendation. In Proceedings of the 20th International Conference on Digital Audio Effects (DAFx-17), Edinburgh, UK.
π Stasis et al.β Stasis, S., Jillings, N., Enderby, S. and Stables, R., 2017. Audio Processing Chain Recommendation using Semantic Cues. In Proceedings of the 3rd Workshop on Intelligent Music Production, Salford, UK.
π Southall et al.β Southall, C., R. Stables and J. Hockman. 2016. Automatic drum transcription using bi-directional recurrent neural networks. In Proceedings of the International Society of Music Information Retrieval Conference, New York City, New York, USA. π Code π»
π Stasis et al.β Stasis, S., R. Stables and J. Hockman. 2016. Semantically controlled adaptive equalization in reduced dimensionality parameter space. Applied Sciences 6(4): 116β34.
π Stasis et al.β Stasis, S., J. Hockman and R. Stables. 2016. Descriptor sub-representations in semantic equalisation. In Proceedings of the AES 2nd Workshop on Intelligent Music Production, London, United Kingdom.
π Ali-MacLachlan et al.β Ali-MacLachlan, I., M. Tomczak, C. Southall and J. Hockman. 2016. Note, cut and strike detection for traditional Irish flute recordings. 2016. In Proceedings of the 6th International Workshop on Folk Music Analysis, Dublin, Ireland.
π Jillings et al.β Jillings, N., Y., Wang, J. Reiss, and R., Stables. 2016. A Plugin Standard for the Web Audio API with Intelligent Functionality. In Proceedings of 141st Audio Engineering Society Convention 2016. Audio Engineering Society (AES).
π Jillings et al.β Jillings, N., Bullock, J. and Stables, R., 2016. Js-xtract: A realtime audio feature extraction library for the web. In Proceedings of the 17th International Society for Music Information Retrieval Conference, ISMIR 2016. International Society of Music Information Retrieval.
π Jillings et al.β Jillings, N., D. Moffat, B. De Man, J. D., Reiss and R., Stables. 2016. Web Audio Evaluation Tool: A framework for subjective assessment of audio. In 2nd Web Audio Conference (WAC-2016), 4th - 6th April 2016, Georgia Tech, Atlanta.
π De Man et al.β De Man, B., N., Jillings, D., Moffat, J., Reiss and R., Stables. 2016. Subject comparison of music production practices using the web audio evaluation tool. In 2nd AES Workshop on Intelligent Music Production.
π Enderby et al.β Enderby, S., T., Wilmering, R. Stables, and G., Fazekas. 2016. A semantic architecture for knowledge representation in the digital audio workstation. In 2nd AES Workshop on Intelligent Music Production, 13th September 2016, London, UK.
π Jillings et al.β Jillings, N., Y., Wang, J. D., Reiss and R., Stables. 2016. JSAP: A plugin standard for the web audio api with intelligent functionality. In Audio Engineering Society Convention 141. Audio Engineering Society.
π Jillings et al.β Jillings, N. and R., Stables. 2016. JSAP: Intelligent audio plugin format for the Web Audio API. In The 2nd AES Workshop on Intelligent Music Production, 13th September 2016, London, UK.
π Stables et al.β Stables, R., B., De Man, S., Enderby, J. D., Reiss, G., Fazekas and T., Wilmering. 2016. Semantic description of timbral transformations in music production. In Proceedings of the 24th ACM international conference on Multimedia (pp. 337-341).
π Stasis et al.β Stasis, S., R. Stables and J. Hockman. 2015. A model for adaptive reduced-dimensionality equalisation. 18th International Conference on Digital Audio Effects, Trondheim, Norway (Best paper, 2nd prize).
π Hockman et al.β Hockman, J.A. and M.E.P. Davies. 2015. Computational strategies for breakbeat classification and resequencing in hardcore, jungle and drum & bass. 18th International Conference on Digital Audio Effects, Trondheim, Norway.
π Jillings et al.β Jillings, N., B. D., Man, D., Moffat and J. D., Reiss. 2015. Web Audio Evaluation Tool: A browser-based listening test environment. In 2nd Web Audio Conference (WAC-2016), 4th - 6th April 2016, Georgia Tech, Atlanta.
π Mason et al.β Mason, A., N., Jillings, Z., Ma, J. D., Reiss and F., Melchior. 2015. Adaptive audio reproduction using personalized compression. In Audio Engineering Society Conference: 57th International Conference: The Future of Audio Entertainment TechnologyβCinema, Television and the Internet. Audio Engineering Society.
π Stables et al.β Stables, R. 2015. Advances in Semantic Audio and Intelligent Music Production. In Proceedings of 139th Audio Engineering Society International Convention 2015. Audio Engineering Society (AES)
π Hands et al.β Hands, J.R. and Clemens, G. and Lea, R. and Ashton, K. and Dawson, T. and Stables, Ryan and Baker, M.J. (2015) Rapid Stratified Serum Spectroscopic Diagnostics. In: International Conference on Advanced Vibrational Spectroscopy (ICAV2015).
π Ali-MacLachlan et al.β Ali-MacLachlan, I., KΓΆkΓΌer, M., Athwal, C. and Jancovic, P., 2015. Towards the identification of Irish traditional flute players from commercial recordings. In Proceedings of the 5th International Workshop on Folk Music Analysis, Paris, France.
Click to see relevant papers from team members published prior to formation of SoMA Group. π Stables et al.
Stables, R., S. Enderby, B., De Man, G., Fazekas and J. D., Reiss. 2014. Safe: A System for Extraction and Retrieval of Semantic Audio Descriptors. In The 15th International Society for Music Information Retrieval Conference, 27th - 31st October 2014, Taipei, Taiwan.
π Stables
Stables, R., 2014. Semantic Music Production using Producer-defined Descriptors. In Proceedings of the AES 53 International Conference on Semantic Audio. Audio Engineering Society (AES).
π Stables et al.
Ryan, S., S. Endo and A. M., Wing. 2014. Multi-Player microtiming humanisation using a multivariate markov model. In 17th International Conference on Digital Audio Effects (DAFx).
π Vicinanza et al.
Vicinanza, D., Stables, R., Clemens, G. and Baker, M., 2014. Assisted differentiated stem cell classification in infrared spectroscopy using auditory feedbackIn: The 20th International Conference on Auditory Display (ICADβ2014), 22nd - 25th June 2014, New York, USA.
π KΓΆkΓΌer et al.
KΓΆkΓΌer, M., Kearney, D., Ali-MacLachlan, I., JanΔoviΔ, P. and Athwal, C., 2014, September. Towards the creation of digital library content to study aspects of style in Irish traditional music. In Proceedings of the 1st International Workshop on Digital Libraries for Musicology (pp. 1-3).
π KΓΆkΓΌer et al.
KΓΆkΓΌer, M., MacLachlan, I.A., Jancovic, P. and Athwal, C., 2014. Automated detection of single-note ornaments in Irish traditional flute playing.
π Ali-MacLachlan et al.
Ali-MacLachlan, I., KΓΆkΓΌer, M., Jancovic, P., Williams, I. and Athwal, C., 2013, June. Quantifying timbral variations in traditional Irish flute playing. In Proceedings of the International Workshop on Folk Music Analysis (FMA), Amsterdam, Netherlands.
π Hockman et al.
Hockman, J.A., M.E.P. Davies and I. Fujinaga. 2012. One in the jungle: Downbeat detection in hardcore, jungle, and drum and bass. In Proceedings of the International Society of Music Information Retrieval Conference, Porto, Portugal.
π Stables et al.
Stables, R., C. Athwal and R. Cade. 2012. Drum pattern humanization using a recursive bayesian framework. In Audio Engineering Society Convention 133. Audio Engineering Society.
π Stables et al.
Stables, R., C. Athwal and R. Cade. 2012. Percussion Humanisation Using a Recursive Bayesian Framework. In 133rd Audio Engineering Society Convention, 2012, San Francisco, USA.
π Stables et al.
Stables, R., M. Kokuer and C. Athwal. 2012. Objective Evaluation of Naturalness in Synthesised Singing. In UK/Ireland Speech Conference, 17/18 December 2012, Birmingham.
π Stables et al.
Stables, R., J. Bullock and I. Williams. 2011. Perceptually relevant models for articulation in synthesised drum patterns. In Audio Engineering Society Convention 131. Audio Engineering Society.
π Stables et al.
Stables, R., J. Bullock and I. Williams. 2011. Perceptually relevant models for drum pattern humanisation. In Proceedings of 131st Audio Engineering Society Convention, New York.
π Stables et al.
Stables, R., J. Bullock and C. Athwal. 2011. The humanisation of stochastic processes for the modelling of f0 drift in singing. In CMMR-FRSM 2011 Joint International Symposium on Computer Music Modelling and Retrieval with Frontiers of Research on Speech and Music.
π Stables et al.
Stables, R., C. Athwal and J. Bullock. 2011. Fundamental frequency modulation in singing voice synthesis. In Speech, Sound and Music Processing: Embracing Research in India (pp. 104-119). Springer, Berlin, Heidelberg.
π Stables et al.
Stables, R., C. Athwal and J. Bullock. 2011. Towards a Model for the Humanisation of Pitch Drift in Singing Voice Synthesis. In Proceedings of the International Computer Music Conference, University of Huddersfield, UK.
π Wang et al.
Wang, Y., R. Stables and J. Reiss. 2010. Audio latency measurement for desktop operating systems with onboard soundcards. In Audio Engineering Society Convention 128. Audio Engineering Society.
π Hockman et al.
Hockman, J., and I. Fujinaga. 2010. Fast vs Slow: Learning Tempo Octaves from User Data. In Proceedings of the 11th International Society of Music Information Retrieval Conference.
π Hockman et al.
Hockman, J.A., M.M. Wanderley and I. Fujinaga. 2009. Phase vocoder manipulation by runnerβs pace. In Proceedings of the Conference for New Interfaces for Musical Expression, Pittsburg, Pennsylvania, USA.
π Hockman et al.
Hockman, J.A., M.E.P. Davies, J. Bello and M. Plumbley. 2008. Automated rhythmic transformation of musical audio. In Proceedings of the 11th International Conference on Digital Audio Effects, Espoo, Finland.